“Diana, The Musical” Makes Diana, The Human, Come Alive Again

by Richard Greene

There’s a reason the reviews of “Diana, The Musical” are not good.

Likely none of the reviewers ever met the woman.

I did and because I did, I loved it and was moved by it.

In fact, for moments during the play I had the inescapable feeling of going back in time. “Diana, The Musical” made Diana, The Person come alive again, for me.

Neither the Netflix “Diana, The Musical” or any 2 dimensional television or film portrayal can come close to capturing what live theater with living, breathing real humans can communicate, especially with a play about THIS human.

Being just feet away from Jeanna De Wall, felt, almost eerily at times, like being in the presence of The Princess of Wales herself. No impersonation of a former living icon is perfect but Ms. De Wall captured much of the essence and the nuances of the nursery school teacher who went on to enchant, and even mesmerize, an entire planet.

But theater critics miss the point by ignoring the phenomenon of Lady Diana in their cerebral analyses of and focus on the production. Like “Mamma Mia”, perhaps, the appeal is beyond rationality. For Diana it’s archetypal, it’s psychological on very deep levels, she is that rare story of…